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No discussion of IP and frame relay would be complete without a deeper look at how frame relay networks can be used for Internet access More and more ISPs are providing Internet access over frame relay as well as leased lines or dialup circuits for all of the same reasons that frame relay is used in other situations: distance-insensitive pricing (usually) and logical rather than physical connectivity When things like flexible reconfiguration, routers as FRADs, and a network designed for bursty traffic are factored in, frame relay is a very attractive infrastructure for Internet access There are two main ways that frame relay is used for Internet access through an ISP Many other ways are possible, but the two ways discussed here are most common.

In the first scenario, all sites that have FRADs with DLCIs leading to other sites also have a DLCI leading to the ISP for Internet access There can be NNIs along the way to the ISP, but this is not common Usually the ISP has frame relay service from the same frame relay service provider as the customer This method is quite efficient because heavy Internet traffic to and from one site should not affect other sites However, the Internet traffic filtering and screening that is common today for security purposes is more difficult to establish and maintain since each site has access to the Internet In the second scenario, there are still DLCIs set up for Internet access, but all of the DLCIs lead to a central site which has the only FRAD that can access the ISPs FRAD over the frame relay network.

The Output Settings dialog box has four panes, each of which offers a wealth of options:

As you continue to work with dynamic data sources, you quickly find that proper event handlers make it easier to understand how something is working. This means that adding event listeners to the socket process is a good idea. Start by building the calls, and then create the event handlers later on.

This scenario makes central administration of Internet security concerns that much easier, but of course creates a potential bottleneck at the central site Both access methods are shown in Figure 1112..

1. In the Developer Utilities dialog (refer to Figure 26-22), click the Specify button under Solution Options. The Specify Solution Options dialog (see Figure 26-24) appears. If you select an option s line in the list, a description and associated settings appear in the bottom half of the dialog.

Any discussion of three-dimensional images properly begins with a discussion of human vision, and the mechanisms by which we perceive spatial relationships, including shape, position, distance, and motion through space These can be roughly grouped into three types, depending on whether they are driven by (1) single-eyed (monocular) vision or (2) properly-combined two-eyed (binocular) vision, and by whether (3) they are stimulated by static or moving images (or perhaps the motion of the observer) in various combinations A thorough discussion goes beyond the scope of this book, although we will revisit the topic in later explorations of the design of holographic images Many references are available that explore these issues in detail (eg, Okoshi (1976), Patterson & Martin (1992) ) For our purposes, we will concentrate on the triangulation of point sources by binocular vision as the primary stimulus, or cue, for spatial vision.

This will convert the picture into a linked picture. However, it may be accompanied by some strange behavior when the chart is activated. I give no guarantees that this technique won t crash your system!

SD:We used Flash 3, and we kept track of all the assets using folders. I don't know if you could call it organized or clever, but it seemed to work. We had a bit of a naming convention set up, and we gave each team a folder to dump any localized artwork into, to avoid confusion. We had a lot of duplicated artwork in the different folders, but that wasn't really a worry. As an example, the directory structure would be. . . /teams/chicago/pngs/wFhat_chi.png. So every team would have it's own directory, and the localized, finished artwork would be in the PNGs directory. When it came time to localize the Chicago animation, you'd open up the Library in Flash, click Update on the graphic you needed to change (for example the hat, front view), go to the Chicago PNG directory, find the file named 'wFhat_chi.png' (Woody's hat, front view, Chicago), and boom, once the PNG was updated (7.32), the entire animation had the new, localized hat in it, and it always fit perfectly because we'd used the masks I mentioned earlier. So localizing an animation took about 10 to 15 minutes, after the artwork was done. But it would have been a nightmare had all the artwork been different shapes and sizes; we'd have basically had to